Thursday, 1 August 2013

Ramadan Itikaf of Last Ashra

Ramadan Itikaf of Last Ashra

‘Aisha (RA) reported that: “Allah’s Apostle used to practice Itikaf in the last ten nights of Ramadan and used to say, “Look for the Night of Qadr in the last ten nights of the month of Ramadan,”" 
(Sahih Bukhari, Book #32, Hadith #237)

Abu Huraira (RA) reported that: “The Prophet used to perform Itikaf every year in the month of Ramadan for ten days, and when it was the year of his death, he stayed in Itikaf for twenty days.”
(Sahih Bukhari, Book #33, Hadith #260)

Abu Salama reported that: “Once I went to Abu- Sa’id Al-Khudri and asked him, “Won’t you come with us to the date-palm trees to have a talk?” So Abu Said went out and I asked him, “Tell me what you heard from the Prophet about the Night of Qadr.” Abu Sa’id replied, “Once Allah’s Apostle performed I’tikaf (seclusion) on the first ten days of the month of Ramadan and we did the same with him. Jibreel (AS) came to him and said, ‘The night you are looking for is ahead of you.’ So the Prophet performed the I’tikaf in the middle (second) ten days of the month of Ramadan and we too performed I’tikaf with him. Jibreel (AS) came to him and said, ‘The night which you are looking for is ahead of you.’ In the morning of the 20th of Ramadan the Prophet delivered a sermon saying, ‘Whoever has performed I’tikaf with me should continue it. I have been shown the Night of “Qadr”, but have forgotten its date (or I was caused to forget it), but it is in the odd nights of the last ten nights. I saw in my dream that I was prostrating in mud and water.’ In those days the roof of the mosque was made of branches of date-palm trees. At that time the sky was clear and no cloud was visible, but suddenly a cloud came and it rained. The Prophet led us in the prayer and I saw the traces of mud on the forehead and on the nose of Allah’s Apostle. So it was the confirmation of that dream.”"
(Sahih Bukhari, Book #12, Hadith #777)

'A'isha (Allah be pleased with her) reported that the Messenger of Allah (may peace he upon him) used to observe i'tikif in the last ten days of Ramadan till Allah called him back (to his heavenly home). Then his wives observed i'tikaf after him.

Wednesday, 31 July 2013

Dua for 3rd Ashra (20-30 Ramadan)

                  Dua for 3rd Ashra (20-30 Ramadan)

                                   
                                      اے اللہ! مجھے آگ کے عذاب سے بچا لے۔

Saturday, 13 July 2013

Dua for 1st-2nd-3rd Ashra of Ramadan

Dua for 1st Ashra (1-10 Ramadan)

اے زندہ اور قائم رب! میں تیری رحمت کے حصول کی فریاد کرتا ہوں۔


Dua for 2nd Ashra (10-20 Ramadan)

میرے رب! میں اپنے گناہوں کی مغفرت چاہتا ہوں اور تیری جانب پلٹتا (توبہ کرتا) ہوں۔

Dua for 3rd Ashra (20-30 Ramadan)




اے اللہ! مجھے آگ کے عذاب سے بچا لے۔

Sunday, 30 December 2012

Islamic calligraphy

islamic art

Islamic art encompasses the visual arts produced from the 7th century onwards by people (not necessarily Muslim) who lived within the territory that was inhabited by or ruled by culturally Islamic populations.It is thus a very difficult art to define because it covers many lands and various peoples over some 1400 years; it is not art specifically of a religion, or of a time, or of a place, or of a single medium like painting. The huge field of Islamic architecture is the subject of a separate article, leaving fields as varied as calligraphy, painting, glass,ceramics, and textiles, among others.
Islamic art is not at all restricted to religious art, but includes all the art of the rich and varied cultures of Islamic societies as well. It frequently includes secular elements and elements that are frowned upon, if not forbidden, by some Islamic theologians. Apart from the ever-present calligraphic inscriptions, specifically religious art is actually less prominent in Islamic art than in Western medieval art, with the exception of Islamic architecture where mosques and their complexes of surrounding buildings are the most common remains. Figurative painting may cover religious scenes, but normally in essentially secular contexts such as the walls of palaces or illuminated books of poetry. The calligraphy and decoration of manuscript Qu'rans is an important aspect, but other religious art such as glass mosque lampsand other mosque fittings such as tiles (e.g. Girih tiles), woodwork and carpets usually have the same style and motifs as contemporary secular art, although with religious inscriptions even more prominent.